Originated at the School of Notre-Dame de Paris approx.
He is also known as Josquin Desprez and Latinized as Josquinus Pratensis, alternatively Jodocus Pratensis, although he himself expressed his preferred spelling of his name, Josquin des Prez, in an acrostic in his motet Illibata Dei virgo nutrix. Josquin is widely considered by music scholars to be the first master of the high Renaissance style of polyphonic vocal music that was emerging during his lifetime.
During the 16th century, Josquin gradually acquired the reputation as the greatest composer of the age, his mastery of technique and expression universally imitated and admired.
Writers as diverse as Baldassare Castiglione and Martin Luther wrote about his reputation and fame; theorists such as Heinrich Glarean and Gioseffo Zarlino held his style as that best representing perfection.
Yet in spite of Josquin's colossal reputation, which endured until the beginning of the Baroque era and was revived in the 20th century, his biography is shadowy, and we know next to nothing about his personality.
The only surviving work which may be in his own hand is a graffito on the wall of the Sistine Chapeland only one contemporary mention of his character is known, in a letter to Duke Ercole I of Ferrara. The lives of dozens of minor composers of the Renaissance are better documented than the life of Josquin.
During the 16th century, he was praised for both his supreme melodic gift and his use of ingenious technical devices. In modern times, scholars have attempted to ascertain the basic details of his biography, and have tried to define the key characteristics of his style to correct misattributions, a task that has proved difficult.
Josquin liked to solve compositional problems in different ways in successive compositions, as did Stravinsky more than years later. Sometimes he wrote in an austere style devoid of ornamentation, and at other times he wrote music requiring considerable virtuosity.Grout and Palisca, however, refer to the tenor in this motet as being "sung," without giving any further information about the recording itself, nor explaining why the tenor part in this recording of the motet is played on an instrument!
To close our discussion of the thirteenth-century motet we can turn to the pair that opens the seventh fascicle of leslutinsduphoenix.com the basis of citations by fourteenth-century writers they are attributed to a shadowy but evidently important composer and theorist named Petrus de Cruce (Pierre de la Croix?) in the treatises.
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|Your Answer||The origin of the name is involved in some obscurity.|
|The Motet| Downtown Wilmington, NC||It may, like BWVhave been composed for a funeral service, but the suggestion that it may have performed such a function in has been discredited by modern scholarship.|
|Hofmann, Klaus : On the Origins and Early History of the Term Motet | Rob C. Wegman - leslutinsduphoenix.com||Owing to the addition of "mots," the duplum with text was called "motetus," a name that was adopted for the entire composition. The tenor of a motet like that of a clausulae is practically always a melismatic vocalized passage taken from Gregorian chant usually a GradualAlleluiaor responsory and identified by the word or syllable "incipit", usually capitalized in modern writings with which it occurs in the original plainsong.|
|Italian Renaissance - Wikipedia||Rome was a city of ancient ruins, and the Papal States were loosely administered, and vulnerable to external interference such as that of France, and later Spain.|
|Motet - The Full Wiki||Eclectic treatise influenced by the ancient Greek treatises on the theory and ethics of music, such as those of Aristotle and Ptolemy, Pythagoras and Aristoxenus Often contradictory in its statements and exposition Division of music in three parts:|