They need careful, knowing tending in order to explode on schedule. Unlike most modern-day Shakespeare directors, Mr. The results are as festive as their setting, a huge tent pitched on the great lawn of the Boscobel House and Gardens, a handsomely restored estate situated on a wooded bluff perched high above the Hudson River. Hudson Valley always has fine clowns on tap, and Kurt Rhoads and Sean McNall, who play Toby Belch and Andrew Aguecheek, set the tone for the show, with the emphasis placed squarely on broad, bawdy comedy.
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Its characters are not unreservedly happy and the events are not unreservedly humorous. As a comedy, Twelfth Night is obviously intending to not only entertain its audience but also point out problems in society. It is imperative to entire merit of the play not to be realistic but to allow for empathy.
Therefor to have a comedy of complete lightheartedness there would be no balance and hence no avenue for audience interaction.
The two in juxtaposition accentuate each other. The characters of Twelfth Night are neither bluntly humorous nor artlessly tragic. Twelfth Night like all Shakespearean comedies is largely about social concerns.
The social messages in Twelfth Night are largely about, the need for a balance in life, that you should not judge on appearance as they can be deceptive and the importance of self awareness or the humor in lack of. Neither is artlessly or bluntly humorous, as this would detract from the greater issues he in attempting to convey.
Humor instead is used in contrast to some pain to antithesis the comedy and accentuate the themes.
Shakespeare has carefully intertwined comedy and pain in both the main and the sub plots to highlight the comedy and explore the social themes.
The audience is forced to suspend disbelief that such a coincidence could occur. The audience is transported from their ordinary mundane existence and is transported into a world of chance, non-existent penalties for practical jokes and the unmistakable harmony of events.
It is this incongruity compared to everyday life that is humorous. However, this summer, frivolris setting is not completely free from conflict. Sir Toby and Sir Andrew would have been marvelously enjoyed by Shakespearean audiences as they are today. Not a scene goes by involving these to where we can laugh and the slow wit of Sir Andrew and the awkward puns of Sir Toby.
However, we find the names and foolish antics of these two rather amusing. It is with a certain hesitance that we laugh at the gullibility of Sir Toby, his disillusioned love for Olivia is rather somber and balances our opinion of him.
This balances is representative of all the characters in Twelfth Night, they may be predominately comic yet they are never completely comic or completely serious. This has the effect on Twelfth Night as making it more true to life and therefor we as the audience can relate and understand the themes.
Malvolio and Feste are typical examples of characters that are seen as comic, yet when looking beyond these superficialities we see a far more important role of their character in the play. He is arguably the most intelligent character in the play and it is evident at the end of the play that he is the most powerful, because he concludes the play.
Feste is certainly a vital link between not only the main and sub plots but also as a conveyer of the action to the audience.
Feste is not a character of low, blunt comedy, his merriment is truthful not scornful or artless. This combination of intellect, humor and subtlety effectively conveys the themes of Twelfth Night, rather than a cruel, crude, unreservedly humorous character that would be not nearly as potent.
Malvolio is a prime example of the need for a balanced, self-aware person. This wicked disposition is his self-deception and lack of balance and it is this that we find comic not however bluntly humorous. Conflict between characters is an aspect of the plot that makes it certainly more than unreservedly humors.
However, there are also different levels of conflict in Twelfth Night.Early Greek comedy was in sharp contrast to the dignity and seriousness of tragedy. Aristophanes, the towering giant of comedy, used every kind of humour from the slapstick through sexual jokes to satire and literary parody.
I for one also consider 12th night to be a comedy: at the beginning of the play, Viola assumes her brother did not survive the shipwreck and when she arrives in Illyria uses his name to find a job. Bibliography: p. Weirdness in The comedy of errors / G.R.
Elliott -- Two comedies: The comedy of errors and Much ado / Francis Fergusson -- Shadows, dreams and plays / Anne Righter -- Shakespeare's imperfect realism / George Bernard Shaw -- The taming of the shrew / Mark Van Doren -- The taming of the shrew in the theatre / T.C.
Kemp -- Producing Love's labour's lost / Harley.
Chris Myles (Malvolio), Vince Leigh (Sir Toby Belch), Gary Shelford (Maria), and Liam O’Brien (Feste) in Propeller’s Twelfth Night by William Shakespeare.
Photo by Manuel Harlan William Shakespeare’s crossgender roles have been a source of comedy and insight for plus years. Britain can surely never have seen a stranger, nor arguably more beautifully-staged Twelfth Night than this one.
Legendary Japanese directo, Yukio Ninagawa and the Shochiku Grand Kabuki Company have chosen to combine this classic comedy with the Company's traditional artistic form. Mar 23, · SALT LAKE CITY — “We always see Orsino as this kind of brooding, melancholy guy,” said A.K.
Murtadha, who plays the lovesick duke in Pioneer Theatre Company‘s upcoming staging of Shakespeare’s comedy “Twelfth Night.” “But the fact that he is a pirate and a swashbuckler says there’s a bit of danger about him.”.